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Ujjwal Chopra’s Candid Journey from TV Soaps to Heeramandi's Ashfaq Baloch

From playing the valiant Gora Singh in Padmaavat to the scheming father of Tajdar Baloch in Heeramandi, Ujjwal Chopra has delivered unforgettable performances. In an exclusive interview, he unveils the highs and lows of his career, his unconventional journey into acting, and the behind-the-scenes stories that shaped his path.

Chopra, who never aspired to be an actor, stumbled into theatre thanks to a college friend. What started as mere mimicry of his teachers led him to Mumbai, the city of dreams. Facing rejection, struggling through a time when even contacting casting directors meant relying on pagers, and navigating an industry without connections, he carved a niche for himself.



One of the most gripping revelations in the interview is his last-minute casting in Heeramandi. Chopra received the call just a day before the shoot, without an audition! His past work in Padmaavat with Sanjay Leela Bhansali earned him the trust that landed him the role. He also shares an intriguing anecdote about preparing for his intense role in Padmaavat, including sword training and horse riding, making the iconic battle scene even more legendary.

But it wasn’t just period dramas where he showcased his talent. His versatility shines through his Crime Patrol performances, playing everything from a ruthless villain to a helpless father. Chopra’s philosophy on acting, his belief in destiny, and his thoughts on Bollywood’s evolving landscape make this interview a must-watch.

If you’re fascinated by the grit and grind behind the glitz, don’t miss this deep dive into Ujjwal Chopra’s journey. Watch here:

🔗 Kissey Kahaniya Podcast by Nadeem Ahmed

Tags:
Ujjwal Chopra, Padmaavat, Heeramandi, Gora Singh, Tajdar Baloch, Sanjay Leela Bhansali, acting journey, Bollywood struggles, Crime Patrol, casting process, theater, Mumbai, rejection, auditions, historical roles, method acting, sword training, horse riding, destiny in acting, industry evolution, behind the scenes


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